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The Arab Design Now 2026 Design Doha exhibition opened on 5 November with a simple refusal: don’t show the finished object on its own. Show the hands that made it. The headline exhibition of the Design Doha Biennial presents the work of 81 designers, with 78 new commissions and 16 films made specially for the show (Design Doha). It runs until 31 December 2026, while the wider biennial continues until 31 January 2027 (Qatar Museums).
Arab Design Now 2026 Design Doha exhibition puts process in the frame
Design Doha’s own description is unusually direct about the method. The exhibition highlights designers alongside artisans and other makers, uncovering what it calls the interconnected networks of material intelligence embedded within each practice, and placing equal emphasis on outcome and process (Design Doha).
The films do much of that work. A commissioned series of videos and photographs accompanies the designs, revealing the often-unseen hands, minds and landscapes behind the works, with audio-visual artists commissioned directly by the designers themselves (Design Doha). One example the organisers give: an installation by Abdulrahman Al Muftah is accompanied by a short documentary by Amal Al Muftah about the artisans involved in making it (Design Doha). The visual journey ranges from the urban landscapes of Doha to Nubian homes on the banks of the Nile, a textile landfill in Jordan and the threatened marshlands of southern Iraq (Design Doha).
Curated by Noura Al Sayeh, the exhibition brings together designers from 27 countries (Art in the Middle). That breadth is the point. This is not a national pavilion dressed up as a biennial. It is a regional argument, made in objects.
The Arab Design Now 81 designers are organised around five threads
Five thematic threads structure the show, with five authors commissioned to reflect on them (Design Doha):
- On Narration and Ornamentation, including Dima Srouji and Hooda Shawa, Shahira Fahmy Architects and Atelier Aziz Alqatami.
- On Land – Agrarian Practices, including Aziza Chaouni Projects, Mirna Bamieh and Studio Bazazo.
- Landscapes of Production – Landscapes of Extraction, including Ammar Khammash, Material Cultures and India Mahdavi.
- Crafts, Technology and Community, including Ibbini Studio, Wesam Al Asali and Tamara Kalo.
- Belonging and Migrating, including Studio Safar, Ramdane Touhami and Shireen Taweel.
Read those thread titles slowly. Land. Extraction. Migration. This is design presented as a record of how people live on a place — what they grow, what they dig up, what they carry when they leave — rather than as a catalogue of chairs, however good the chairs are. The programme spans traditional weaving, Arabic and Persian typography, industrial materials and the meeting point between craft and contemporary technology (Art in the Middle).
The Design Doha Biennial 2026 programme spills out of the gallery
The biennial itself is bigger than its headline show. The second edition brings together more than 100 designers and studios from across the Middle East, North Africa and South Asia, with more than 20 exhibitions, public installations and collaborative projects across the city, led by Director Fahad Al Obaidly with Glenn Adamson as Artistic Director (Art in the Middle). Qatar Museums lists Design Doha 2026 as running 5 November 2026 to 31 January 2027 across various venues, with exhibitions, new commissions, installations and talks featuring leading designers from across the region (Qatar Museums).
Its centre of gravity is Fereej Al Asmakh, a heritage district where, on Art in the Middle’s account, design becomes a way to engage with the neighbourhood’s history and explore possibilities for urban renewal, rather than simply providing a backdrop (Art in the Middle). The Public Design Commissions programme, curated by Javier Peña Ibáñez, selected ten designers, architects and urban practitioners through an open call across the region, with five projects featuring in the first phase (Art in the Middle).
International exchange runs through it too. As part of Qatar’s 2026 Year of Culture with Mexico, Fernando Laposse presents The Sower, exploring the environmental and cultural histories of Mexico and Qatar through cultivation and material transformation (Art in the Middle).
The Design Doha Prize 2026 will name four winners on 7 November
The biennial’s prize returns across craft, product design, furniture design and emerging talent. Chaired by Sheikha Al Mayassa, it has a 24-member international jury headed by India Mahdavi, and the four winners will be announced on 7 November, receiving a combined QAR 800,000 in funding alongside mentorship (Art in the Middle).
Analysis: plenty of biennials claim to centre process. Most then hang the objects in white rooms and hand you a wall text. Arab Design Now’s structure — makers credited beside designers, films commissioned by the designers to document their own supply chains of skill, threads named for land and extraction rather than for styles — gives the claim some teeth. Whether visitors leave thinking about the artisan in the film or only about the object in front of them is the test no press release can pass for it. The show runs until the end of December. Go and see which one you remember on the way home.
Photo: Haakon S. Krohn, via Wikimedia Commons (CC BY-SA 3.0)

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